4’ 50’’, color, 4/3, mixed (analog synths, wobbulator, hearn videolab), 2017
Directed by Sara Bonaventura

It’s a mystical and hallucinatory journey of a resilient subject, not yet completely seduced by the machines;
entangled in their challenging system, but radiating dynamism while struggling for self determination.
Getting lost, falling apart, splitting, vanishing and resetting. Finding balance in between.
The performer is Annamaria Ajmone.
Soundtrack by Von Tesla

A choreography processed with analog synths and a wobbulator, a modified monitor known as Paik Raster Manipulation Unit, at Signal Culture.

Featured On/Screenings:
TANZKINO, in collab. w Festival International de Vidéo-Danse de Bourgogne, Freiburg (DE), 2020
ALTERED IMAGES Film and Music Festival, London (UK), 2020
CODEC Festival Internacional de Cine Experimental Y Video, CDMX, Mexico City (MX), 2019
2nd Video Art Forum, Saudi Arabian society for culture and arts, Dammam (SA), 2019
MACRO museum & Miami New Media Festival, MACRO, Rome (IT), 2019
Cinedanza, Corpo e pixel nella videoarte italiana, Drama Teatro, Modena (IT), 2019
Miami New Media Festival, Arts Connection Foundation, Miami, (US), 2019
DA Fest, DIGITAL ART International Festival, Sofia (BG), 2019
Loading Fest, CCOP, Porto (PT), 2019
DOBRA – Festival Int’l de Cinema Experimental, Cinemateca do Museu de Arte Moderna, Rio de Janeiro, (BR), 2019
Reverie, The Baumann, Brooklyn, NYC (US) 2019
ISEA 2019, International Symposium on Electronic Art, Lux Aeterna, Asia Culture Center, Gwangju (KR), 2019
Pergine Festival, DANCE IS THE PLACE, Moving Bodies, Pergine Valsugana (IT), 2019
Saigon Experimental Film Festival, 298E district 1, Ho Chi Minh City (VN), 2019
Videolands, MOMus-State Museum of Contemporary Art, Experimental Center for the Arts, Thessaloniki (GR), 2019
Frame Rush: A Place for Screendance, The Place, London (UK), 2019
RPM Fest, PROGRAM SIX: Blueprints for Renewal, curated by Wenhua Shi, Boston (US), 2019
Pugnant series, Cinema Andora Ανδόρα, Athens (GR), 2019
2018 Endless Biennial, curated by Lukaza Branfman-Verissimo, NYC (US), 2018
Sarna Festival de artes experimentales, Calama (CL), 2018
KLEX 2018, Translucence, Kuala Lumpur (MY), 2018
Optronica 2, Other Cinema @ ATA Gallery, San Francisco (US), 2018
Cinema no cinemax, 1st Bck Symposium, Balkan Can Kino & Pugnant Film Series, Athens (GR), 2018
The Unseen Festival, Counterpath, Denver (US), 2018
ikonoTV & Pool Festival, POOL Videodance Night, Berlin (DE), 2018
Worship the glitch, VIDEO HOOK-UPS, Manchester (UK), 2018
Fem Tour Truck, Festival itinerante de videoarte feminista, (ES, FR, PT, CO, EC, PE, RA), 2018
10th Kalamata Street Festival, Kalamata (GR), 2018
Lago Film Fest, Revine Lago (IT), 2018
POSITIONING, La Valletta (MT), 2018
Sarna 3 Festival de artes experimentales, Antofagasta (CL), 2018
Video Art Miden Festival, Kalamata (GR), 2018
History of the Future Exhibition, Boston Cyberarts Gallery, Boston (US), 2018
NOLI ME TANGERE Exhibition, Gallery Nikola I – Museum JU, Niksic (ME), 2018
At a distance, Harvester Arts, Wichita, Kansas (US), 2018
SATURATE(D), Open Signal, Portland (US), 2018
EUROVIDEO 2018, Videographies, Liege (Be), 2018
Here Comes Everybody, Experimental Public Access show, Broadcast in Los Angeles,
Berkeley, Portland, Olympia, Seattle & Chicago (US), 2018