4’ 50’’, color, 4/3, mixed (analog synths, wobbulator, hearn videolab), 2017
Directed by Sara Bonaventura

It’s a mystical and hallucinatory journey of a resilient subject, not yet completely seduced by the machines;
entangled in their challenging system, but radiating dynamism while struggling for self determination.
Getting lost, falling apart, splitting, vanishing and resetting. Finding balance in between.
The performer is Annamaria Ajmone.
Soundtrack by Von Tesla

A choreography processed with analog synths and a wobbulator, a modified monitor known as Paik Raster Manipulation Unit, at Signal Culture.

Featured On/Screenings:
2018 Endless Biennial, curated by Lukaza Branfman-Verissimo, NYC (US), 2018
KLEX 2018, Translucence, Kuala Lumpur (MY), 2018
Optronica 2, Other Cinema @ ATA Gallery, San Francisco (US), 2018
Cinema no cinemax, 1st Bck Symposium, Balkan Can Kino & Pugnant Film Series, Athens (GR), 2018
The Unseen Festival, Counterpath, Denver (US), 2018
ikonoTV & Pool Festival, POOL Videodance Night, Berlin (DE), 2018
Worship the glitch, VIDEO HOOK-UPS, Manchester (UK), 2018
Fem Tour Truck, Festival itinerante de videoarte feminista, (ES, FR, PT, CO, EC, PE, RA), 2018
10th Kalamata Street Festival, Kalamata (GR), 2018
Lago Film Fest, Revine Lago (IT), 2018
POSITIONING, La Valletta (MT), 2018
Sarna 3 Festival de artes experimentales, Antofagasta (CL), 2018
Video Art Miden Festival, Kalamata (GR), 2018
History of the Future Exhibition, Boston Cyberarts Gallery, Boston (US), 2018
NOLI ME TANGERE Exhibition, Gallery Nikola I – Museum JU, Niksic (ME), 2018
At a distance, Harvester Arts, Wichita, Kansas (US), 2018
SATURATE(D), Open Signal, Portland (US), 2018
EUROVIDEO 2018, Videographies, Liege (Be), 2018
Here Comes Everybody, Experimental Public Access show, Broadcast in Los Angeles,
Berkeley, Portland, Olympia, Seattle & Chicago (US), 2018